In the Edit menu, you’ll find two new options: a new Remove effects option and a new Remove attributes option. Inside the Window menu, you’ll find a new Workspaces option for saving custom workspaces, and switching between workspaces. Custom workspacesįinally, custom workspaces are a reality in Final Cut Pro X. This is a welcomed addition that will surely save editors a lot of time. Flow transition allows you to smooth jump cuts to make them appear as seamless transitions. Subscribe to 9to5Mac’s YouTube channel for more Final Cut Pro X videos Flow transitionĪpple has introduced a new Flow transition feature in Final Cut Pro X 10.3 that’s remind you of Adobe’s Morph Cut tool in Adobe Premiere Pro. The changes don’t appear to be done just for the sake of change, but it’s obvious that a lot of thought has gone into this redesign. I find that 10.3 is much more pleasing the eyes, and more functional as well. Buttons have been moved to different areas, options have been moved - it’s all very jarring initially.īut it won’t take long for your to settle in. Gone is the 3D look and feel, replaced by an all new dark, flat look.

It might come as a shock when you first fire up Final Cut Pro X 10.3, because it looks drastically different than the previous version that you’re been using. The addition of Touch Bar support for the new MacBook Pros was the headlining feature of Thursday’s announcement, but it’s all of the other enhancements that make Final Cut Pro X 10.3 the most noteworthy upgrade to Apple’s trackless NLE since the original release over five years ago.

In fact, I think Apple did itself a disservice by labeling this a dot release instead of just calling it Final Cut Pro version 11.0.

Final Cut Pro X 10.3 was released on Thursday, and although I haven’t had much time to play with it, it’s immediately apparent that this is a huge update.

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